Some Say I'm a Dreamer, "5" Questions with Beth Brandon
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Picture is a group shot of everyone involved in Hang-Ups/Bang-Ups at Padlock Gallery
Beth Brandon is one of the two artists I asked to be in 10% Tiger Fire, an exhibition "I" (I think the majority of any sort of credit goes to Beth and Carrie, the artists) put together for Copy Gallery in September (coming up in like, three weeks!!!), so I think really highly of her and her art. You could even say that Beth has consumed maybe 20% of my thoughts for over a year, which when you consider I have to pay bills, work 9-5, draw some, and drink beer, is quite a lot.
In the past I expected too much from art and the art-world: I wanted it to save lives, feed the hungry, fix discrepancies in the class structure of the world and pay the IRS for me. Art is never going to do this, but art still has a really intangible awesome quality that I can't seem to ditch and still have impossible hopes for. This is why I like the work of Beth Brandon; she sort of unites a fundamentalist return to drawing with just the right amount of idealism in the power of ideas. Don't know what I'm saying? I'm not sure I do either.
Beth Brandon is a young artist in progress, just as I am a youngish (getting older all the time) artist/curator/art-writer in progress, which is to say 50% of what we try is experimental and so what we "do" isn't clearly defined. I can say that Beth has produced happenings/installations that have included a fully functional salon complete with cocktails and cucumber sandwiches. I can say she has produced art that is closer to the idea of a slumber party, and that she creates drawings and prints. She is drawn to the idea of creating a human habitat where tradition is important and our landscape dictates our actions. You can call her a utopianist if you want, but she's not the only one.
This time I tried to only ask five questions, I didn't really succeed but I think I'm going to continue to try it.
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Annette Monnier
Philadelphia, PA
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